Solo Shows
          Roots & Seeds & Brambles, blumenwerkstatt bornheim, Frankfurt, 
          Germany 2009
          Darkness and Light, colorconcept Media Zentrum, Walluf/Rheingau, 
          Germany 2007
          Studio Shows: New York / France / Germany 1993-2003
          (Suzette Schochet Gallery, Newport RI, U.S.A. 1980-85) 
          Drawings, Hera Gallery, Wakefield RI, U.S.A. 1981
          Brown/Bodin, Hera 1980
          Moira Brown at Hera, Hera 1979
          Drawings & Paintings, Hera 1978
          Bicentennial Furies, New Haven Womens Center, New Haven 
          CT, U.S.A. 1976
        Group Shows
          Sketchbook Project: Washington, D.C., Boston MA, Chicago IL, Atlanta 
          GA  U.S.A. - 2009
          Death Penalty Show, internet 2007
          Hera Gallery, Wakefield RI, U.S.A.: annual shows, summer shows 1977-81
          1709 East Main Alternative Space, Richmond VA, U.S.A. 1979
          Muse Gallery, Philadelphia PA, U.S.A. 1979
          Falmouth Artists Guild, Falmouth MA, U.S.A. 1977
        Curated
          Women in Prison, Wakefield, Westerly & Providence RI, U.S.A. 
          1981
          Cabin Fever: North Country Women Artists, Hera, Wakefield RI, 
          U.S.A. 1979
        Bibliography
          blurb.com books: Darkness and Light, Roots & Seeds & Brambles, 
          portraits
          Grand Street, No. 36: collaborative illustrations with William 
          T. Vollmann 
          CoTangent Press: with William T. Vollmann: Divine Men, Editionen von 
          13 
          covers: The Woods (David Mamet)
          Expelled From Eden, a William T. Vollmann Reader (McCaffery, 
          Hemmingson)
        Born 1953, Waterbury CT, U.S.A. 
          Education Marlboro College, Marlboro, VT, U.S.A. 1970-72
          Privatstudieren mit Tom Benson (Newport RI, U.S.A.) 1971-87
          Theater Study and Work with David Mamet, Marlboro and Goddard 
          Colleges 1970-73 ; original member of the St. Nicholas Theater Co. 
          (now the Atlantic Theater Co.)
          Private study: Herbal medicine, Asian Martial Arts, Energetic Healing, 
          Chinese Calligraphy 1975-present
        Since the late 1980s Ive been making a different sort of 
          art piece, something like the Sand Painting traditions of Tibetan and 
          Native American cultures in which the painstakingly detailed creation 
          is made for healing purposes, then blown to the winds. A practice of 
          Non-Attachment.
          This is my feeling about Praesepean Session Work, which I developed, 
          practice and teach in Europe and the U.S. (www.praesepeansessionwork.com)
          The rigorous discipline required by that work ultimately led me, cleansed, 
          back to also making Things: paintings and drawings, art works which 
          hang around longer and potentially speak to a broader group.